cynthia greig
2003 Focal Point Gallery, Southend-on-Sea ENGLAND Belonging: Elia Alba & Cynthia Greig
Margaret Harvey Gallery, St. Albans, ENGLAND
Weitman Gallery of Photographic Arts, St. Louis, MO
Art Gallery of Windsor, Windsor, Ontario CANADA Little Things @Life-Size: Tyrone Brais & Cynthia Greig
2002 Studio 1650, Kessler-Francis-Cardoza, Detroit, MI
Moreau Art Galleries, St. Mary’s College, Notre Dame, IN
Museum of Art, SUNY-Potsdam, NY

Gallery 44, Centre for Contemporary Photography, Toronto CANADA

Urban Institute for Contemporary Art, Grand Rapids, MI
2004 Grande Halle de la Villette, Paris, France: Rencontres Internationales Paris/Berlin
Redcat Theatre, Disney Hall, Los Angeles, CA: LA Freewaves-Inheritance
Harvestworks, NY, NY Whiz Bang: Videos by Emerging Artists
Urban Institute for Contemporary Arts, Grand Rapids, MI Portal Spaces
The Library Company, Philadelphia PA and Bryn Mawr College Picturing Women: Historical Works and Contemporary Responses HTTP://WWW.PICTURINGWOMEN.ORG
Gallery 44, Centre for Contemporary Photography, Toronto CANADA, Of Kith and Kin: Susan E. Evans, Cynthia Greig & Richard H. Smith, Davida Nemeroff
Houston Center for Photography, Houston TX Truth Matters: The Meaning of Objects
CEPA Gallery, Buffalo, NY In the Workspace HTTP://WWW.CEPAGALLERY.COM
2003 International Center for Photography, New York, NY Only Skin Deep: Changing Visions of the American Self ONLINE EXHIBITION HTTP://WWW.ICP.ORG/EXHIBITIONS/ONLYSKINDEEP
Center for Photography, Woodstock, NY Managing Eden
Warren Robbins Gallery, The University of Michigan, Ann Arbor The Playground Show
Green Lantern Studios, Mineral Point WI Inspiration Point
Houston Center for Photography, Houston, TX HCP Fellowship Exhibition
SPACES, Cleveland, OH Selections: John Benvenuto, Peter Dudek, Cynthia Greig, Cathy Smith & Lorraine Tady
2002 Carl Solway Gallery, Cincinnati, OH The Photographic Edge
Institute of Contemporary Art, London, ENGLAND After Dolly: Art, Science and Ethics Organized by the Compassion for World Farming Trust and Littoral Arts
Museum of New Art, Detroit, MI Ground Zero
Buckham Gallery, Flint, MI Black or White
2001 University Art Gallery, Central Michigan University, Mt. Pleasant, MI The Truth of Appearances:Cynthia Greig, Michael Hernandez de Luna & Peter Patchen
A.I.R. Gallery, New York, NY 4th Biennial
Coconino Center for the Arts, Flagstaff, AZ ArtCultureNature
Penelec Gallery, Allegheny College, Meadville, PA Apocalypse Noir

Detroit Artists Market, Detroit, MI Bounded Intervals: Michele Brody, Cynthia Greig, Sheila Moss & John Roloff

Ukrainian Institute of Modern Art, Chicago, IL Curator's Choice
Museum of Art, SUNY-Potsdam, NY American Identities
Center for Photography at Woodstock, Woodstock, NY Future/Perfect: Modern Fables of Love, Death and Desire
Buckham Gallery, Flint, MI Vision as Metaphor: John Dempsey, Cynthia Greig & Miriam Marcus

The Clement Gallery,Toledo, OH Embellished Truths

Detroit Artists Market, Detroit, MI The New Millennium
1998 The Soap Factory, Minneapolis, MN Ten
The Wright Museum of Art, Beloit, WI Looking Twice: Cynthia Greig and Michael Hernandez de Luna & Michael Thompson

Gallery Northwest. Indiana University, Gary, IN Reversing the Gaze: Women Looking at the Male Nude Institute for the Humanities, The University of Michigan, Ann Arbor, MI, Images & the Imaginary


Matrix Gallery, Ann Arbor, MI Group Consequences: Greig, Keller, Mann, Nielsen & Skabelund

1995 SFCamerawork, San Francisco, CA Bodies of Evidence: Julie Blankenship, Christine Dallas, Cynthia Greig & Jin Lee
1994 The Alternative Museum, New York, NY National Showcase Exhibition
The Houston Center for Photography, Houston, TX The Visual Diary
Woman Made Gallery, Chicago, IL Beyond Words
1993 A.I.R. Gallery, New York, NY, State of the Arts
Kresge Art Museum, East Lansing, MI 13th Michigan Biennial
1992 Urban Institute for Contemporary Art, Grand Rapids, MI Cynthia Greig, Diane Neumaier & Carol Novak
Detroit Artists Market, Detroit, MI Pieced Work: Dusty Fleming, Cynthia Greig and Carole Zak
2004 Santa Fe Center for Photography, Assignment Earth Award
2003 Houston Center for Photography, HCP Photography Fellowship
2001 Light Work, Syracuse, NY, Artist-in-Residence

Jessica Lack. “Belonging” The Guardian Guide (London, UK) Sept. 13-19, 34.
Hannah Shuckburgh. “Preview: Elia Alba and Cynthia Greig,” ArtPreview (London, UK) April, 43.
Kate Menconeri & Ariel Shanberg. Managing Eden. Online exhibition essay.
Rachel Garfield. Belonging. Exhibition catalogue essay. Focal Point Gallery, Essex, UK.
Eileen Pollack. “Fiction Writers and Other Well-Intentioned Frauds,” The Writer’s Chronicle, March, 33-40.
J. Carlos Cantu. “Display Merges Sight, Sound with Wacky Sense of Humor,” Ann Arbor News, Aug. 3, C1.

2002 Doug Trapp. “Getting the Picture,” City Beat (Cincinnati, OH) December 26-31, 41.
Jason Lahr. Cynthia Greig: Little Differences. Brochure essay. Moreau Art Galleries, Notre Dame, IN.
Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27.
Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10.
Carol Novak.”Review of Cynthia Greig at UICA,” New Art Examiner, March/April, 83-84.
2001 Julie Johnson. "The Return of Beauty in Contemporary Art and Art History," in Rendezvous, Pocatello: Idaho State University, Vol. 36, No. 1, Fall, 1 - 21.
Katy McCormick. The Bride Wore Trousers. Brochure essay. Gallery 44, Centre for Contemporary Photography, Toronto.
Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television, Claude Barnes and J. D. Hazen, Producers
Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10.
Roger Green. “Artist Expresses Nightmares in Work, Muskegon Chronicle, November 22, 4D.
Julia Morrisroe. The Truth of Appearances. Brochure essay. University Gallery, Central Michigan University.
2000 Bounded Intervals. Exhibition catalogue, Detroit Artists Market, 6-7.
Dan Mills. American Identities. Exhibition catalogue. SUNY-Potsdam Museum of Art.
Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4.
1999 Cynthia Morgan. “Review of ‘Ten,’” New Art Examiner, March, 62-63.
1998 Institute for the Humanities 1996-97 Annual Report, 6, 12, 16, 26.
Patricia Briggs. Review of "Ten, ”City Pages (Minneapolis, MN) October 7, 27-28.,
1997 Diane Kirkpatrick. Images and the Imaginary. Brochure. Institute for the Humanities, Ann Arbor.
1996 J. Carlos Cantu. "Avant to be Loved," The Ann Arbor News, September 28, D1-2.
Carol Novak. "Art Moves into the Closet," Agenda (Ann Arbor, MI) January, 14.
1995 Cynthia Morgan. Review of Matrix Gallery exhibition. New Art Examiner, February, 46.
Carol Novak. "C. S. Greig: Reinventing One's Identity," Michigan Photography Journal, 14-15.
“Bodies of Evidence,” Camerawork, Fall/Winter, 41-42.
1994 Patricia Lee Yongue. "The Rite of Women's Autobiography, Spot (Houston, TX) Spring, 13-14.”
J. Carlos Cantu. “Photographs Challenge Gender Stereotypes,” Ann Arbor News, September 29, 8.
Whitley Setrakian . Review of Matrix Gallery exhibition. Ann Arbor Observer, October, 95.
1993 Phylis Floyd. Thirteenth Michigan Biennial. Exhibition catalogue. East Lansing: Kresge Art Museum,
1992 Sara Albert. Review of UICA Exhibition. The Grand Rapids Press, December 23, D6.
1995 The University of Michigan School of Art + Design, Ann Arbor: MFA  
1988 The University of Iowa, Iowa City: MA in art history
1981......... Washington University, St. Louis: BFA in printmaking