|
PHOTOGRAPHY BIO I was born in 1932, in New Brunswick, New Jersey, on a farm where my grandfather grew vegetables, flowers and small trees. I was fascinated by the still and movie cameras that my parents and their friends used to record their children, their weekend activities, a car wreck, anything that caught their interest. When I looked at the photos and movies it was magic, and they would occasionally let me take a "snap". My grandfather had studied art and taught me the basics of drawing, painting and composition before my teens, I continued to draw and paint and aspired to be a painter. I studied drawing and painting at the Art Students League for two years, one of my teachers was George Grosz. I was drafted in 1953 and went to Korea, I had been shooting with a cheap 35 mm. Bolsey camera, when I saw a used Leica 3c on sale at an Army P.X. I bought it, along with a 35 mm. Lens. In the 9 months I spent in Korea I took about 30 rolls of color film, getting back those little packs of slides from Kodak became the highpoint of my days, I then began to take photography more seriously. In 1955 I went to Paris to study painting (thanks to the G.I, bill) I studied with Andre L'Hote, later I discovered that Cartier Bresson and Andre Kertesz had studied with him as well. At this point I carried my Leica everywhere photographing the city and the expatriots and Bohemians that I befriended in that lovely city. One day a painter friend and I were sitting in the Luxembourg gardens sketching, I showed him the drawing I had just done, he paused a few moments in thought and said (paraphrase) "Frankly I find your art work to be superficial, on the other hand I think your photos are exceptional". I didn't need to consider this for long to realize that that it was true, and at that point I became a photographer. I returned to New York City with the idea of making a lot of money as a commercial still photographer so that I could return to live and work in Paris, I worked for four or five years doing pharmaceutical, record cover and magazine photography. I was never really satisfied with the conditions or the results of this work, and the doing of it seemed to impair my ability in fine art photography. In 1962 I began working in the film industry, it was very open then so I was able to work my way up from carrying lights to Director of Photography in six or seven years. I shot industrials, documentaries, commercials and feature films for the next twenty-five years, traveling to many countries throughout the world on film assignments, I never went anywhere without my Leica. I almost exclusively took photos in black and white in natural light, of unposed subjects In 1964 and for several years I combined painting with photographs. In 1986 and for about six years I made only double and triple exposures. Beginning in 1990 I began, and have periodically made, pinhole photos. In 1999 I began and have continued to make abstract photos of colored light patterns.
In 2005 I began making infrared color photos.
top
1958 "Greenwich Village in Photographs" A competition show at the Limelight Gallery. Curator Helen Gee. First Prize. A one man show at the Village Art Center. Curator Helen Gee. 1959 A one man show at the Image Gallery. Curator Larry Siegal. 1960 One photograph in "Photography in the Fine Arts" at the Metropolitan Museum of Art. Curator Ivan Dimitri. 1961 One of "Seven Contemporary photographers" at George Eastman House. Curator Nathan Lyons. 1962 "Photography at Mid Century" A group show at the George Eastman House. Curator Beaumont Newhall. 1977 Three sets of photos in "Sequential 77" at the Harkness House Gallery. Curator Geoffrey Forest. 1980 "Summer Stock" a group show at the Witkin Gallery. Curator Sean Farley. 1997 A three man show at the Soho Photo Gallery 2000 A six man show at Galerie Thierry Marlat. Paris (Included Cartier-Bresson, Rbt. Doisneau, Ilse Bing) 2003 One person show in the PhotoGraphic Gallery. Soho
1958 Two photographs purchased by Edward Steichen for the Museum of Modern Art. 1960 One Photograph purchased by Ivan Dimitri for the Metropolitan Museum of Art.
1996 Principle photography for "Playing With Fire" a book on the creations of Julie Taymor for Abrams publishing. 1999 Principle photography for "The Lion King" a book on the Broadway musical directed by Julie Taymor. |